Publisher: O'Reilly Media Released: November 2005 Pages: 352
Designing a good interface isn't easy. Users demand software that is well-behaved, good-looking, and easy to use. Your clients or managers demand originality and a short time to market. Your UI technology -- web applications, desktop software, even mobile devices -- may give you the tools you need, but little guidance on how to use them well. UI designers over the years have refined the art of interface design, evolving many best practices and reusable ideas. If you learn these, and understand why the best user interfaces work so well, you too can design engaging and usable interfaces with less guesswork and more confidence. Designing Interfaces captures those best practices as design patterns -- solutions to common design problems, tailored to the situation at hand. Each pattern contains practical advice that you can put to use immediately, plus a variety of examples illustrated in full color. You'll get recommendations, design alternatives, and warningson when not to use them. Each chapter's introduction describes key design concepts that are often misunderstood, such as affordances, visual hierarchy, navigational distance, and the use of color. These give you a deeper understanding of why the patterns work, and how to apply them with more insight. A book can't design an interface for you -- no foolproof design process is given here -- but Designing Interfaces does give you concrete ideas that you can mix and recombine as you see fit. Experienced designers can use it as a sourcebook of ideas. Novice designers will find a roadmap to the world of interface and interaction design, with enough guidance to start using these patterns immediately. |
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Chapter 1 What Users Do -
A MEANS TO AN END -
THE BASICS OF USER RESEARCH -
USERS' MOTIVATION TO LEARN -
THE PATTERNS -
Chapter 2 Organizing the Content:Information Architecture and Application Structure -
THE BASICS OF INFORMATION ARCHITECTURE: DIVIDING STUFF UP -
PHYSICAL STRUCTURE -
THE PATTERNS -
Chapter 3 Getting Around:Navigation, Signposts, and Wayfinding -
STAYING FOUND -
THE COST OF NAVIGATION -
THE PATTERNS -
Chapter 4 Organizing the Page:Layout of Page Elements -
THE BASICS OF PAGE LAYOUT -
THE PATTERNS -
Chapter 5 Doing Things:Actions and Commands -
PUSHING THE BOUNDARIES -
THE PATTERNS -
Chapter 6 Showing Complex Data:Trees, Tables, and Other Information Graphics -
THE BASICS OF INFORMATION GRAPHICS -
THE PATTERNS -
Chapter 7 Getting Input from Users:Forms and Controls -
THE BASICS OF FORM DESIGN -
CONTROL CHOICE -
THE PATTERNS -
Chapter 8 Builders and Editors -
THE BASICS OF EDITOR DESIGN -
THE PATTERNS -
Chapter 9 Making It Look Good:Visual Style and Aesthetics -
SAME CONTENT, DIFFERENT STYLES -
THE BASICS OF VISUAL DESIGN -
WHAT THIS MEANS FOR DESKTOP APPLICATIONS -
THE PATTERNS -
Colophon |
- Title:
- Designing Interfaces
- By:
- Jenifer Tidwell
- Publisher:
- O'Reilly Media
- Formats:
-
- Print
- Ebook
- Safari Books Online
- Print:
- November 2005
- Ebook:
- February 2009
- Pages:
- 352
- Print ISBN:
- 978-0-596-00803-1
- | ISBN 10:
- 0-596-00803-1
- Ebook ISBN:
- 978-0-596-15936-8
- | ISBN 10:
- 0-596-15936-6
|
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Jenifer Tidwell For more than a decade, Jenifer Tidwell has been designing and building user interfaces for a variety of industry verticals, often in the Java programming language. She has experience in designing both desktop and Web applications. As a user interface designer at The MathWorks, Jenifer was instrumental in a redesign of the charting and visualization UI of MATLAB, which is used by researchers, students, and engineers worldwide to develop cars, planes, proteins, and theories about the universe. View Jenifer Tidwell's full profile page. |
Colophon Our look is the result of reader comments, our own experimentation, and feedback from distribution channels. Distinctive covers complement our distinctive approach to technical topics, breathing personality and life into potentially dry subjects. The animal on the cover of this book is a Mandarin duck (Aix galericulata), one of the most beautiful of the duck species. Originating in China, these colorful birds can be found in southeast Russia, northern China, Japan, southern England, and Siberia. The males have diverse and colorful plumage, characterized by an iridescent crown, chestnut-colored cheeks, and a white eye stripe that extends from their red bills to the back of their heads. Females are less flamboyant in appearance and tend to be gray, white, brown, and greenish brown, with a white throat and foreneck. These birds live in woodland areas near streams and lakes. Being omnivorous, theytend to have a seasonal diet, eating acorns and grains in autumn; insects, land snails, and aquatic plants in spring; and dew worms, grasshoppers, frogs, fish, and mollusks during the summer months. The mating ritual of Mandarin ducks begins with an elaborate and complex courtshipdance that involves shaking movements, mimed drinking gestures, and preening.Males fight each other to win a female, but it is ultimately the female who decides her mate. Mandarin ducklings instinctively follow their notoriously protective mothers, who will feign injury to distract predators such as otters, raccoon dogs, mink, polecats, eagle owls, and grass snakes. Mandarin ducks are not an endangered species, but they are considered to be threatened. Loggers continuously encroach upon their habitats, and hunters and poachers prize the males for their plumage. Their meat is considered unpalatable by humans, and they are generally not hunted for food. Genevieve d'Entremont was the production editor and proofreader for Designing Interfaces. Ann Schirmer was the copyeditor. Susan Honeywell was the page compositor. Phil Dangler and Claire Cloutier provided quality control.Kelly Talbot and Johnna VanHoose Dinse wrote the index. Mike Kohnke designed the cover of this book, based on a series design by Edie Freedman. The cover image is from Johnson's Natural History. Karen Montgomery produced the cover layout in Adobe InDesign CS, using Adobe's ITC Garmond font. NOON (www.designatnoon.com) designed the interior layout. This book was converted by Joe Wizda to Adobe InDesign CS. The text fonts are Gotham Book and Adobe Garamond; the heading fonts are Univers and Gotham Bold. The illustrations that appear in the book were produced by Robert Romano, Jessamyn Read, and Lesley Borash using Macromedia FreeHand MX and Adobe Photoshop CS. This colophon was written by Jansen Fernald. |
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Customer Reviews
By Humanist Nerd from Barcelona, Spain - Accurate
- Concise
- Easy to understand
6/16/2008 (1 of 1 customers found this review helpful) 4.0Great interface component reference By Anonymous from Undisclosed 12/31/2007 (1 of 3 customers found this review helpful) 5.0Web designers should read this too By cicerone from Undisclosed By Steve Stanicki from Undisclosed 1/4/2006 5.0excellent pattern catalog By Jeanne Boyarsky from Undisclosed
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