By Lee Hudspeth, T.J. Lee, Woody Leonhard Publisher: O'Reilly Media Released: October 1997 Pages: 396
First, the promise: Because Microsoft Office 97 is an integrated suite of applications, your spreadsheet, word processor, database, presentation graphics program, and personal information manager not only share a common user interface, but allow you to share data among the programs seamlessly. Now the reality: Despite marked improvements from version to version, there is much in Office 97 that remains annoying. Maybe it's the fact that identical user interface options are implemented differently -- and sometimes are not implemented at all -- in individual Office applications. Or maybe it's that Office is too integrated; there are pan-Office "sticky" settings that, when set in one application, affect all other Office applications too. Office 97 Annoyances takes a look at these and other annoyances and shows how to get rid of them so that you can get your work done more easily and efficiently. For instance, the book shows you how to: - Configure the Office Shortcut Bar to provide an effective tool for accessing your Office applications and documents
- Customize the toolbar of each Office application except Outlook so that it reflects the way that you work rather than the needs of Microsoft's marketing machine
- Use Visual Basic for Applications (VBA) as a macro language to control the behavior of the individual Office components, in the process removing many of their annoyances
Sometimes, you can't do anything to improve Office's integration -- or lack of it. But you can reduce your annoyance level simply by knowing where Office's integration is most problematic. Office 97 Annoyances also arms you with knowledge in the following areas: - The pan-Office "sticky" settings
- Shortcomings in the Office Binder, an integration utility developed to address shortcomings in Office integration
Office 97 Annoyances is for the users who want to be as productive as possible when using Office 97. Learning which Office annoyances you can and can't eliminate will save you countless hours (and endless aggravation) when working with Microsoft Office 97. |
- Title:
- Office 97 Annoyances
- By:
- Lee Hudspeth, T.J. Lee, Woody Leonhard
- Publisher:
- O'Reilly Media
- Formats:
-
- Print:
- October 1997
- Pages:
- 396
- Print ISBN:
- 978-1-56592-310-2
- | ISBN 10:
- 1-56592-310-3
|
Colophon Our look is the result of reader comments, our own experimentation, and feedback from distribution channels. Distinctive covers complement our distinctive approach to technical topics, breathing personality and life into potentially dry subjects. The bird on the cover of Office 97 Annoyances is a dodo. The dodo lived in the Mascarene islands in the Indian Ocean, primarily on Mauritius. These flightless birds are believed to have been related to pigeons, but scientists have found it difficult to categorize them. Our knowledge of the dodo's appearance is based on descriptions from sailors and explorers who settled the Mascarene islands in the 16th and 17th centuries, and who were fascinated with these peculiar-looking birds. The dodos' plump bodies were covered with grey feathers, which ringed their bare faces like a hood. Because they were flightless, their wings had regressed to a tiny size, and their white tail feathers had become a small, curly tuft. Most remarkable was the beak, which was large, strong, hooked, and light green or pale yellow. The dodo used its powerful beak to open hard fruits and snail shells. The dodo was extinct by the beginning of the 18th century. The Europeans who settled Mauritius and the other Mascarene islands hunted the dodo for food, sport, and as curiosities. Several attempts were made to bring live dodos back to Europe with them, with varying degrees of success. The European settlers also introduced animals such as cats, dogs, pigs, and rats to the islands. These animals hunted the dodo, trampled their nests, and ate their eggs. Prior to the arrival of these various foreigners, the dodo had no natural enemies, and so had no defense mechanisms. ... Edie Freedman designed the cover of this book, using a 19th-century engrav ing from the Dover Pictorial Archive. The cover layout was produced with Quark XPress 3.3 using the ITC Garamond font. Whenever possible, our books use RepKoverĀTM, a durable and flexible lay-flat binding. If the page count exceeds RepKoverĀ's limit, perfect binding is used. The inside layout was designed by Edie Freedman and Nancy Priest and im plemented in FrameMaker 5.0 by Mike Sierra. The text and heading fonts are ITC Garamond Light and Garamond Book. The illustrations that appear in the book were created in Macromedia Freehand 7.0 by Robert Romano. This col ophon was written by Clairemarie Fisher O'Leary. |
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